- #Who were the girls in maroon 5 girls like you video full#
- #Who were the girls in maroon 5 girls like you video iso#
Craig Shumard is the owner/motion control tech. Jon: What Motion Control rig did you use for the circular move?Ĭlaudio: Pacific Motion Control supplied the motion control “dolly” rig, head, equipment and track. We recorded to X-OCN ST, which is the high data rate Sony RAW file format. As for viewing, we monitored the whole job in 4K on a Sony x300.
That’s another nice thing about VENICE: we could “window” the sensor for 16:9 aspect ratio in Super35 4K. Jon: What lens did you use?Ĭlaudio: We used a Super35 Master Prime for the greater depth of field.
#Who were the girls in maroon 5 girls like you video iso#
So, it's super handy that you can flip the VENICE into 2500 ISO mode if you need it for anything, and then you have the eight stops of ND filters in-camera if you ever need them at the push of a button. It's not like you add gain on the camera. Jon: How does the higher base 2500 ISO manage to look so good, with so little noise?Ĭlaudio: Well, the camera is native 500, but when you go to 2500 ISO it's a different mode entirely.
#Who were the girls in maroon 5 girls like you video full#
We talked about shooting full frame, but that was counterintuitive to the depth of field argument. We had band members in the background and we had to carry focus as we circled the talent. And then we dialed in the 2500 base ISO and tried it at a “heavy” T5.6 and it looked great.įor this piece, I didn't feel that shallow depth of field was helpful. Dan Ming, my assistant, said it would be really handy to have more stop, since talent movement was unpredictable. I usually like wide open, with a shallow depth of field, and I don't usually like shooting closed down. It was funny because I wasn't going to shoot 2500. Even the people who did the roto had no issues at the 2500. Jon: The VENICE has a nice look at the high ISO rating.Ĭlaudio: That was pretty surprisingly for me at 2500 ISO: no noise, and pretty clean. But we still had to manually pull focus on every take. The added depth of field definitely helped get everyone into focus-close up and far away. And I said, “Let's give it a go.” When we looked at the footage, we realized that this was something that could really work well. I had a beta firmware of version 2 at the time. Jon Fauer: How did you hold deep focus?Ĭlaudio: To hold the MoCo two shots, we used the Sony VENICE camera’s dual base ISO of 2500. Motion control was really the only viable option. We shot Maroon 5 together as a band, Adam by himself, then over the following days, passes with Adam interacting with talent and finally the talent by themselves. We plotted where everyone would go so they could interact with each other and the lead singer, Adam Levine. It turned into a five-day non-consecutive shoot because of talent schedules. We knew we had to get all these actors at different times, because they would never be available on the same day.
So, we decided to design it as a motion control round track shot. At a time when the world is primed for strong female role models, the video offers a who’s who of female empowerment.”Ĭlaudio Miranda: The way Director David Dobkin conceived the shoot was to have actors coming in at different times but to make it feel like everyone was there at the same time. Blige… comedians Phoebe Robinson and Lilly Singh… activists Angy Rivera and Jackie Fielder…athletes Chloe Kim and Alex Morgan…and the heroic gymnast who inspired so many to speak their own truths: Aly Raisman. Entertainment Weekly wrote, “there have been more than 48 million views on YouTube, thanks in large part to the pantheon of goddesses who pop up throughout…icons like Jennifer Lopez, Ellen DeGeneres, Gal Gadot, and Mary J.